Little Sparrow Publishing
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![Softly Like a Kiss]()
Softly Like a Kiss
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![The Body In Abbey Park]()
The Body In Abbey Park
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![Book cover titled "Kiss of the Dragon" by D.K. Sachs with an image of a casino scene showing people playing roulette and blackjack, and Chinese decorative elements.]()
Kiss of the Dragon
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![A vintage book cover for 'We Shouldn't Be Here' by D.K. Sachs, featuring an illustration of a landscape with a dirt road, a person walking, a car parked on the side, rolling green hills, and a night sky with a shooting star or comet.]()
We Shouldn't Be Here
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![Book cover for 'Murder in the Twelfth House' by D.K. Sachs featuring a dark background, a shadowy hand reaching down, and an illustration of a large house in the foreground.]()
Murder in the Twelth House
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![Book cover titled "Trouble Came Knocking" by D.K. Sacks, featuring a large red gemstone, a silhouette of a man with a hat holding a camera, and a group of people in a discussion.]()
Trouble Came Knocking
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![Book cover titled "Something Worth Dying For" by D.K. Sachs. The cover features a photograph of a waterfront scene with palm trees, benches, and a building with a clock tower and a dome, with blood splatters and the words "La vie de Jésus" handwritten on the lower part of the cover.]()
Something Worth Dying For
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![Sing A Song Of Six Girls]()
Sing A Song Of Six Girls
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![Book cover titled "The Rip That Became a Ripple in Time and Space" by D.K. Sachs. Illustration features two people in a car, a large moon, a space plane, and a sign that reads "Fly Me To Mars." Two military officers stand on a space-like path leading toward the scene.]()
The Rip That Became a Ripple in Time and Space
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![A desert scene with a person wearing traditional Middle Eastern attire holding a gun, standing in front of an ancient stone structure resembling a temple or tomb, with an old car parked nearby.]()
The Shifting Sands of Dammam Dome
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![Neon sign for 'Are You Calknow' with a stylized atomic model and signature 'D K Sacks' at the bottom.]()
Any Fool Can Know
We Shouldn’t Be Here
Inside the Story
England, 1919.
The Great War had ended, but for millions, survival was only the beginning.
Detective Inspector John Hadleigh had once been an athlete, an Oxford scholar, an accomplished pianist and a decorated army officer. The Somme took his right arm and much of the man he had once been. The war left him alive, but unconvinced about the future.
Betts, too, had faced loss.
A widow from the same war, fiercely independent, intuitive and considerably more perceptive than most of the men around her, she became Hadleigh's driver, assistant and, increasingly, his equal.
An extraordinary case brought them together.
Something had fallen from the sky off the Dorset coast.
Shortly afterwards, four policemen died at the old Coast Guard station in Swanage. The building burned. Evidence disappeared. Witnesses offered stories that made little sense.
A mysterious woman appeared and vanished.
Hadleigh and Betts were sent to Swanage to discover what had happened. It looked like a murder investigation.
It was something much more.
Audio extracts
The convent cell felt like a prison, tiny, oppressive. Clara pulled the coarse blanket around her and probed the mattress for a warmer, softer spot on the stiff straw. The flickering candle cast spidery shadows over barren stone walls, carping in their condemnation of this girl of fun and laughter. But Clara never lost the spark of hope. It burned bright.
A couple of hours later, Seven dragged her exhausted body onto the gritty, wet sand. The swim out was easy enough, but the return journey, with two utility packs and a transponder, required an almost Herculean effort. But physical strength was part of her makeup, as well as a dogged, do-or-die mindset. She lay on her back and stared at the stars. Waves tugged at her body. As the tide receded, she felt the pounding of heavy footsteps. She was no longer alone.
"All right, what's goin' on?" A gruff voice broke the silence. A dazzling bright light beamed on her face.
"Stand and identify yourself," another voice insisted.
Seven raised a hand to shield her eyes.
"An' no funny business," the first voice warned.
The old Coast Guard station housed a sergeant and three constables. Their duty was to patrol the many miles of picture-perfect Dorset coastline. They relished their demanding role, the protection of the town’s solid citizens soundly asleep in their beds.
Taylor crashed the hammer against the first of Seven's silver boxes. It didn't make the least impression, not a single mark. "What the bloody hell is this made of? Not even a scratch," he muttered and ran his fingers over the surface.
Detective Inspector Hadleigh was a popular man. Fellows doffed their hats when they passed him in the street. Ladies smiled shyly, hoping to catch his eye. Hadleigh had been a celebrated athlete before the war; he won medals in fencing, rowing, and climbing mountains. But it wasn’t only sport; he was a superb and acclaimed pianist, he read Classics at Oxford, and when the war began, he volunteered without hesitation and rose rapidly to the rank of Captain. In battle, he proved heroic, a leader of men until the Somme, which took away his right arm and everything he knew and loved.
Soundtrack:
Film logline
Time travellers stranded in the early twentieth century become caught up in historical events that could significantly alter the timeline they came from.
Inside the Story
In their convent on the outskirts of town, the Sisters of Mercy confronted another mystery. A very tall, desperately injured stranger had been found close to death in a beach hut. He had no name, no history, and no chance of survival. The end was near, terminated with a generous shot of morphine.
One young novice, Sister Clara, refused to accept his opiate demise. Her compassion kept him alive. He could barely move, but he understood. He possessed unique abilities, and nobody knew. At that point, neither did he.
He had a colleague; she called herself Seven—she called him Five.
Seven had dragged Five from the sea after their spacecraft crashed off the English coast. She saved his life and returned to recover essential items from their ship. She came back and collided violently with a world for which she was completely unprepared.
Like Five, Seven came from more than three centuries in the future.
The England in which she found herself trapped proved to be primitive, contradictory and frequently incomprehensible. The people fascinated and appalled her. They smoked, drank, ate animals, worshipped gods, divided themselves by social hierarchy and gender. Nationally and internationally, they had only recently emerged from a war of industrial slaughter.
They also had hair. Everywhere.
Seven had none, anywhere.
Her first challenge was not simply survival. She had to learn how to pass unnoticed in 1919.
But something far more profound had begun.
Seven came from a civilisation in which human existence had become highly ordered, enhanced and controlled. The future had eradicated much of the disease, poverty and chaos of earlier centuries. Technology had transformed the human mind and body
But perfection demanded a price.
Within the violent disorder of twentieth-century humanity, she discovered something her own world had given away: choice.
For the first time, she could ask the essential question.
Why?
While Seven crossed England in search of answers, Hadleigh and Betts followed the evidence she left behind.
What at first appeared to be a sequence of inexplicable deaths slowly revealed a pattern.
Seaside sweet shops.
Missing children.
Coded ledgers.
Names and addresses scattered across the country.
And in the background, a clandestine organisation whose influence extended far beyond a collection of provincial shopkeepers.
Others had taken an interest in Hadleigh's investigation.
Deep within the British establishment, powerful men knew far more than they would ever admit. Hadleigh's questions brought him dangerously close to shared secrets these very important persons wanted left alone.
Their operatives entered the game.
Ambrose survived the war through talent, instinct and a ruthless determination to live. Handsome, dangerous and unpredictable, he had worked in the shadowy world of British intelligence since 1915. He cared little for causes, institutions or patriotic speeches. Ambrose's principal loyalty was always to Ambrose.
There was one other great love in his life: his magnificent car, a Hispano-Suiza H6.
Then he met Saffron.
Beautiful, audacious and every bit as capable as Ambrose, Saffron demolished several of his assumptions about women within minutes of their first encounter. Their partnership began as an assignment, but the pair soon discovered an exhilarating affinity for danger, deception, fast cars and card games.
Their orders set them on a collision course with Hadleigh and Betts.
“Sort them out,” they said—the orders.
What did ‘Sort them out,’ actually mean? wondered Saffron.
Beautiful, audacious and every bit as capable as Ambrose, Saffron demolished several of his assumptions about women within minutes of their first encounter. Their partnership began as an assignment, but the pair soon discovered an exhilarating affinity for danger, deception, fast cars and games of chance.
Their orders were to intercept and impede Hadleigh and Betts.
Something Worth Dying For
Synopsis:
In the mean streets of Marseille, a routine delivery escalates into a perilous game of hide and seek. Driver Jean Toussaint is ensnared in a labyrinth of secrets.
What could be so precious, to make it Something Worth Dying For?
Meanwhile, in the vibrant world of 1920s Paris, Séverine and Saffron’s idyllic life is violently shattered. An assassin’s blade and Saffron’s mysterious disappearance leave Séverine to navigate a world turned upside down.
Across the Atlantic, the neon jungle of New York City beckons Frank, Clara, and Harper. But in the land of opportunity, danger lurks. Chinese triads, Atlantic City's high-stakes gambling dens, and the infamous duo of Nucky Johnson and Arnold Rothstein create a dynamic mix of intrigue.
"Something Worth Dying For’ is the second book in the series - The Future Walks Among Us.
Soundtrack:
Audio extracts:
Audio extracts:
The Third Battle of Krythia in June 1915 marked a personal turning point. The objective of the Allied attack was Achi Baba, a vertiginous peak that dominated the Gallipoli Peninsula and served as the central defensive position for Ottoman operations. This was the third consolidated attempt by the Allies to capture the position. The losses on both sides were horrifying. Tens of thousands of young soldiers had already been slaughtered with no gain or strategic benefit. The Ottomans alone lost six thousand troops during the first day's bombardment.
The Man Ray photo portraits came to be after a fun evening at La Rotonde.
"Do you shave your eyebrows, Madame Séverine?" Kiki asked, her eyes sparkled with curiosity. She stood nearly nude, adorned in flimsy strings of hand-painted fabric bananas, mere strands away from total exposure.
Séverine shook her head. "It's in my DNA, Kiki. Hair follicles became redundant."
The Bar Marseillaise was not the sort of establishment one would take a girlfriend or boyfriend. Or any kind of friend. Not if you cared about their well-being. The gentle ambience of friendly, sophisticated wine bars and cocktail lounges would never grace the rough-and-tumble world of sailors, stevedores, and dockers. The Bar Marseillaise was old: a construction of dark, swarthy timbers and plain lime plaster, coloured by time and generations of tobacco smoke. Bottles offering every flavour of alcohol lined the rustic wooden cabinets mounted on walls—a glorious array of bright colours in rainbow shades of ornate glass. Beer taps sprang from the tired countertop in extravagant metal hoops. Inside, the seating consisted of stools and benches.
“It is not what France gave you but what it did not take from you that was important.”
A line-up of Man Ray photographs greeted visitors to the stylish apartment on Avenue Kléber. Trim as a military parade, the black-lacquer frames lined up in a procession along the wall. The explicit nude images, provocative by design, exuded defiance, primal sensuality, and the Artist’s vision of the moderne. They demanded attention. Jean Toussaint’s eyes fixed on one in particular: a visceral study in black and white.
Film logline
A simple delivery, but what is the cargo? And why are people willing to give their lives?
The decadent 1920s, the venues, characters, and intrigues of high-stakes gambling in the South of France and Atlantic City.
Kiss of the Dragon
Synopsis:
Kiss of the Dragon, set in the Jazz Age, the 1920s, places the reader in a world of political intrigue. Beneath the glossy veneer lies an underbelly of criminal conspiracies, corporate greed, and duplicitous leadership.
What begins as a search for her missing sister spirals into a deadly game of cat-and-mouse. Lucy Lampton becomes the target of Chinese gangsters and duelling Russian factions. A priceless collection of Romanov jewels lies at the centre.
Kiss of the Dragon is the third book in the series, The Future Walks Among Us.
Soundtrack:
Audio extracts:
Soho, London - 1924
The world fell silent. An absolute, peaceful silence.
He had gone beyond the squeal of brakes—the stench of burning rubber. The screams, a cacophony of cries and shrieks, a crowd in panic.
He saw it all. He felt the unfathomable pain.
But that was gone. The past. His life.
He opened the door to his office at the Ministry.
A shrill, insistent bell shattered the silence. The green telephone on his desk trembled.
The light distracted him—a beam, so bright. It filled him.
He stepped into the tunnel… He moved faster and faster… Almost there…
He didn’t think it would be like this.
Like what?
Dying.
Audio extracts:
Film logline
Thrown together by circumstance, Lucy and Ambrose uncover a hidden international network of people smugglers, Chinese Triads.
Audio extracts:
Her client was not as Betts had imagined. The voice on the other end of the telephone was laced with the British upper classes' distinctively clipped tone and phrasing—the type of voice you would expect to hear in a golf clubhouse. Betts anticipated a grand, authoritarian middle-aged matriarch. Instead, Mrs Richie was indisputably young, stylish and attractive.
While Betts travelled to Covent Garden, Hadleigh took the tube to Notting Hill. It was a short walk to the West Kensington Police Station and his 10 a.m. appointment with the desk sergeant. Though he had been a police officer himself, a Detective Inspector no less, Hadleigh bristled at the law's rigid inflexibility. It seemed completely nonsensical that he should be held in any way responsible for the deaths of either of the two gunmen. Three innocent victims had died at their hands, including his own brother, yet somehow the Constabulary felt they had a case against him for defending himself. What was he supposed to do? Let the man shoot him? The gunman would have done just that. He was in the act of raising his silenced Beretta. There was no question that his intention was to shoot Hadleigh dead. Yet somehow the authorities considered Hadleigh at fault for being a fraction of a second faster. Where was the justice in that? Nonsense was the only way to describe it. But that was often the nature of officialdom: a blind belief, rigid as a steel girder, in the rules and regulations that govern our daily lives.
"Please be upstanding for His Majesty's Coroner," said the court usher. The assembly stood as one.
"Good morning. My name is Lucien Crockford-Hawley. Sir Lucien. I am His Majesty's Coroner for Westminster, and we are here today to determine the answers to four questions. Who the deceased might be? When and where he died? And by what means he came by his death? Before we commence the proceedings, I believe it important to understand the nature of the coroner's court in relation to today's inquiry. We are not here to allocate blame or apportion guilt. Our responsibility is to ascertain the cause of death within the law. Nothing more, nothing less."
The Body In Abbey Park
Synopsis:
When Detective John Hadleigh's brother is brutally assassinated, it sets off a chain reaction of violence that spans continents. As bodies pile up from Naples to London to New York, Hadleigh finds himself in a race against time to uncover the target of an international web of anarchists.
Meanwhile, in the quaint town of Glastonbury, Detective Betts faces a chilling discovery-a young woman's naked body, strangled and abandoned in Abbey Park.
The Body in Abbey Park is the fourth book in the series - The Future Walks Among Us.
Soundtrack:
Film logline
Detectives Hadleigh and Betts investigate a murder that points to hidden malevolent international organisations - child smugglers and anarchist bombers.
Audio extracts:
She had no sense of how long. Time was unfettered. It might have been an hour, maybe two, or three, but she hadn’t wavered. She stared remorselessly at the ochre bloom that blossomed beneath the wall’s green paint. It felt like eternity and the blink of an eye. Her mind attempted to assemble meaning from the design; circular, but with sugary edges, like some strange confection. It was the detective in her; she never stopped. And when you’re stuck in the same space, in this instance, a hospital bed for a significant length of time—fourteen days and nights undoubtedly qualified as such—it should be time enough to absorb every facet and fixture, every blemish and crack in every wall—the ceiling, too. But no, not when you must lie on your front throughout, with the only option of head left or head right, nothing in between, and under no circumstances can you turn over. Betts twisted her head around; her field of vision shifted to the left.
Audio extracts
Commander Bose-Clarke closed the door to his house in Essex Villas at 6:45 a.m. Just a couple of winding roads away from 13 Melbury Road, the Secret Intelligence Service's operational centre, his second home. He needed to touch base before heading for the Mall. See what the gatherers of the night watch might have to report. As the officer in charge, it was down to him to tackle any fresh alerts or last-minute crises.
"Follow me, please, Ma'am," said the maid with a faint smile. She recognised the sense of amazement and led Betts into a wood-panelled corridor off the hall. Abruptly, one of the inner doors opened, and a man in a dark suit launched himself at them. He rode a wind of self-importance.
"I say there," he said.
Murder In the Twelfth House
Synopsis:
An epic thriller begins as a briefcase filled with explosive political and personal secrets goes missing, igniting an urgent and perilous search to recover it.
A foreign agent, Ilse Schumann, plans to exploit the salacious information to defect to America and obtain a new identity. A ruthless criminal organisation will do whatever it takes to silence her and retrieve the dossier.
The intrepid investigators, Hadleigh and Betts, become involved in a complex plot while investigating the mysterious disappearance of a young heiress. Their encounter with the fugitive agent complicates loyalties and greatly increases the danger.
Murder in the Twelfth House combines noir espionage with the dark ambitions of organised crime syndicates across continents. "Murder in the Twelfth House" is the fifth instalment in the series - The Future Walks Among Us.
Film logline
Detectives Hadleigh and Betts uncover an international espionage network and a multi-layered honey trap of political blackmail.
Soundtrack
Audio extracts
He parked the car beneath one of the few trees still wearing a canopy of leaves. The foliage hung ragged, like a bad comb-over. The canvas above his head resonated like a marching drum as heavy raindrops pounded out tribal poly-rhythms. He checked his watch: 6:36 p.m. Day had turned to night. Crouch Hall Road was dark as a tomb. Spindly columns of smoke drifted from the chimneys of tall, tidy houses, their windows curtained and shuttered against the damp ink of darkness. His hand touched the steel bulge in his coat pocket. He was ready.
Trouble Came Knocking
Synopsis:
Clara's Restaurant at Paradise Cove, where the peaceful Malibu beaches conceal a dangerous undercurrent.
When bootleggers arrive at this picturesque location, Clara and her staff become entangled in the violent world of organised crime.
Frank's idyllic life with the enticing Dragon Sisters is disrupted by the arrival of a ruthless Cossack oligarch, determined to reclaim his homeland.
Meanwhile, Lucy and Ambrose play a dangerous game of cat and mouse in exotic Shanghai, transporting priceless Romanov jewels under the deadly watch of Bolshevik agents.
Trouble Came Knocking is the sixth book in the series, The Future Walks Among Us.
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Film logline
When bootleggers bring a wave of violence to 1930s Malibu, a restaurant owner and her unlikely allies become caught between organised crime, international espionage and the hunt for the Romanov jewels.
Softly Like A Kiss
Synopsis:
Los Angeles, 1930—a city where dreams and nightmares are woven beneath the glitz and glare of Hollywood’s bright lights.
The discovery of a young starlet’s lifeless body submerged in a blood-filled bathtub at the luxurious Topanga Canyon mansion of a powerful movie mogul sends tremors through the Hollywood elite.
Jonathan Fairbrother, a distinguished British barrister, is summoned from his serene life in Maui to the gritty streets of LA. Accompanied by the enigmatic Ambrose and his glamorous partner, Lucy Lampton, the trio find themselves at the heart of a complex intrigue.
On different continents, Séverine and Saffron have been compelled to relocate to Marrakesh, a city of secrets, spies, and Islam.
Softly Like A Kiss is the seventh book in the series, The Future Walks Among Us.
Soundtrack:
Audio extracts:
“Softly, like a kiss, the sun caressed his face.
A rush of warmth. Sensation. Too much.”
Film logline
Classic 1930s noir murder mystery - a body in the bath - a Hollywood producer, in the frame and on the run, while in Marrakesh, Séverine is on the run from Nazis and Fatwas .
The Rip That Became a Ripple in Time and Space
Synopsis:
In the year 2236, an interdimensional quantum explosion on a two-seater solar cruiser devastates the very fabric of reality. The blast hurls its occupants—Seven, an elite pilot, and La Voce, the most celebrated musician in the solar system—more than three centuries into the past, depositing them in an uncertain world scarred by the aftermath of the First World War.
The explosion was not an accident; a quantum device meant to erase the pair from existence had been placed aboard their ship. But who was responsible for the attempt? And who was the intended target—Seven or her enigmatic passenger, La Voce?
Meanwhile, in the fourteen years since her arrival in the past, Seven has taken on the name Séverine and built a new, idyllic, and comfortable life. She has found love.
The Nazi Party has begun its steady and relentless rise to power. The SS, attracted by whispers of her advanced knowledge and mysterious abilities, is determined to capture her. Theo and Henri Sarkoza, two close friends, are abducted and taken as bait to a remote German castle. Séverine orchestrates a daring rescue in the heart of the Nazi homeland.
'The Rip That Became a Ripple In Time and Space' is the eighth book in the series, 'The Future Walks Among Us.'
Audio extract:
Film logline
In the year 2236, something is actively disrupting the fabric of time. History is being altered with disastrous effects. The technocracy governing the Solar System desperately attempts to contain the consequences.
Any Fool Can Know
Synopsis:
Princeton, 1937.
Albert Einstein is working on ideas that may reshape humanity’s understanding of the universe.
When an unexpected visitor arrives with knowledge that appears to contradict established physics, theoretical speculation becomes immediate reality.
Government agencies take an interest.
Private groups attempt intervention.
And the implications extend far beyond academic debate.
This novel introduces key themes explored throughout the series:
• the fragility of history
• the responsibility that accompanies knowledge
• the hidden influence of unseen actors
• the possibility that the future may already have begun to intervene
Any Fool Can Know is the ninth book in the series, The Future Walks Among Us.
Film logline
1934. A former colleague contacts Einstein with alarming information, prompting a race to seize scientific knowledge that will shape humanity’s future.
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Film logline:
An ambitious young musician searches for success in the vibrant 1980s music scene and discovers that every step towards fame comes at a personal cost, as six remarkable women each change the course of his life.
Synopsis:
Set against the vibrant backdrop of the 1980s music scene, Sing a Song of Six Girls follows Artie, an ambitious young musician chasing fame and artistic recognition. The collapse of a promising record deal leads to a band breakup, prompting Artie to reconsider his direction and navigate the unpredictable world of the gigging circuit.
Told from Artie’s perspective but fuelled by the compelling presence of the six women he encounters, each with their own ambitions, desires and complexities, and driven by a unique blend of love and ambition. As boundaries blur and motivations are questioned, one central theme emerges: who truly uses whom?
Artie’s journey is as much about personal growth as it is about professional success—he faces love, loss, friendship, and, most of all, self-discovery.
Audio extracts:
A big ‘thank you’ to everyone who bought my first novel X
AG Raye
We are proud to be the sole representatives of the books of AG Raye
The Shifting Sands of Dammam Dome
Synopsis:
In the relentless heat of 1937 Saudi Arabia, oil remains a distant dream—dark and elusive, a treasure buried deep beneath shifting sands. After four years of drilling at Dammam Dome, tensions run high at the CASOC, the California-Arabian Standard Oil Company, compound. Six wells, a fortune invested, and no significant results. The future of the Kingdom’s oil ambitions hangs in the balance.
Officer Rakan bin Abdulaziz, Commander of External Security, is summoned to the site following the mysterious disappearance of the chief chemist, the individual responsible for a vital report that will determine whether the drilling proceeds. Days later, the chemist’s body is found in the desert, ravaged by vultures.
Officer Rakan is a man seeking peace, perhaps redemption. He finds himself walking a fragile line between tradition, national interests, and international politics. Everyone believes there is oil beneath the sands, and some will kill for it.
Meanwhile, a very different journey unfolds in Karachi. Zayd Wallace, a mixed-race orphan born to a British soldier and a Muslim mother, is raised in England by Methodist missionaries. He serves as a soldier for the British Empire. Highly skilled, loyal, and ruthless, Zayd is chosen for a mission no one else can undertake: the assassination of a Muslim cleric whose fiery sermons challenge colonial authority.
In disguise as a pilgrim, Zayd journeys into the spiritual core of Islam, grappling with the conflicts between faith and identity. He questions everything: his orders, his country, and most importantly, himself. Zayd experiences a spiritual awakening and begins to see Islam not merely as a doctrine but as a living truth.
Officer Rakan, fresh from solving the murder at Dammam Dome, is assigned a new task: to track down the British assassin who has infiltrated the Kingdom in disguise. The two men come from different worlds but are heading for a collision course driven by oil, empire, and religion.
Audio extracts:
Film logline
Amid the 1930s race for oil, political intrigue and covert operations shape events that will influence global power for the next century.
Film & Television Rights
Little Sparrow Publishing titles are available for adaptation.
Film & Television Rights
The titles published by Little Sparrow Publishing form part of an interconnected narrative universe combining historical settings with speculative scientific ideas.
The Future Walks Among Us series follows individuals navigating pivotal moments of the twentieth century after an unexplained quantum event propels them from the twenty-third century into the past.
The material offers strong adaptation potential due to:
• continuing characters
• layered mystery structure
• recognisable historical settings
• contained narrative arcs within each book
• an overarching long-form storyline
• themes of power, knowledge and technological responsibility
The series combines the intellectual intrigue of historical drama with the conceptual scope of speculative fiction.
Rights enquiries are welcome.
Contact:
Suz - suz@littlesparrowpublishing.co.uk
Key elements:
strong period settings
contained mysteries
continuing characters
layered mythology
Contact for rights enquiries.